Date: 16.7.2017 / Article Rating: 4 / Votes: 650 #Career aspiration essay+finance

Recent Posts

Home >> Uncategorized >> Career aspiration essay+finance

Career aspiration essay+finance

Mar/Sat/2018 | Uncategorized

MBA Career Goals Essay Examples? Top Ranked MBA Essay Samples

Career aspiration essay+finance

Write my essay -
Examples of Well-Written Essay - A-B Tech

boland poetry essay Brigit Pegeen Kelly's death in October 2016 took away one of the finest living poets. Her three books offer exemplary work. In poem after poem she displays a rare ability to career aspiration complicate the lyric. She fashions a speaker who resists becoming a self. She pushes her poems towards a hermetic zeal no one had visited with more purpose since Emily Dickinson. The American poet Stephen Dobyns expressed what many felt when he described her as 'one of the body, very best poets now writing in the United States. In fact, there is career, no one who is any better.' And yet there was an odd, almost eerie silence around her death. As if no one could hit on harvard an accurate language to describe her loss. When news came of her passinga surprise to everyonesocial media filled with a keen, shocked sense of career aspiration, her absence. But the review on unemployment, comments were mostly personalremembrances especially of her inspiring kindness as a teacher. And little else.

Brigit Pegeen Kelly was an honoured poet. She had won prizes, been cited for her work and was widely admired. Nevertheless, the sort of analysis that follows on career a significant artist's deaththat records an achievement and sets the terms of its transmissionwas missing. Some of the reason may lie in the difficulty of fixing her in a category. She was elusive.

Even her influences were hard to pin down. When Kelly came to Stanford a few years agoas Lane lecturer in the Creative Writing programshe mentioned her plan for the evening's event. More than half the reading, she told us, would be from Wallace Stevens' work; the rest would be her own. We managed to dissuade her. People would travel to the reading we explained, and would be eager to hear her. There is a clue in her turning to Stevens.

Not simply that he was a favourite poet. It was more than that. Stevens was a poet who had constructed a signature speaker, one whose authority was not immediately traceable. In the actions and events of works as different as 'The Emperor of Ice Cream' and 'The River of Rivers in Connecticut', questions ghost the periphery of aboriginals essay, his poems. Is this the poet speaking? Is this a fiction? Is it both? Certainly the aspiration, speaker of essay harvard, a Stevens poem is hardly ever the familiar social self of mid-century American poetry. There is career aspiration essay+finance, no neighbourly weather in a Stevens poem as there is in Ginsberg's 'A Supermarket in California' or Robert Lowell's 'The Drinker' or Elizabeth Bishop's 'The Moose'. Referencing Essay Harvard? Instead there is a voice coming from no exact moment, no definable place.

A voice never out of the poet's control: moving in and out of music and statement, ready to steal meaning and essay+finance, yet not satisfied with it. The same could be said of Kelly. Against Essay? In this way, Stevens may have provided shelter for her own wayward project. Brigit Pegeen Kelly was born in Palo Alto, California in 1951. She grew up in Indiana. Career Essay+finance? But actual details of her lifeeven in literature on unemployment our noisy cultureare hard to come by.

She married and had three children. A note in a 1987 journal she contributed to reports that she was then living on a farm in essay+finance New Jersey and working for a children's literary magazine. After that there is little enough. She avoided both interviews and self-revealing critiques. She was utterly uninterested in fame. To reverse FR Leavis' unkind comment about the Sitwellsthat they belonged to the history of publicity and not poetryshe belonged to poetry and shunned publicity. Even the discrimination, garrulous and informative Wikipedia is forced to resort to anti-biographical statement when describing her. 'An intensely private woman', it says, 'little is known about her life.' I did know Brigit Pegeen Kelly. Not well, certainly, but enough in our few meetings to have a strong impression of her.

We first met one evening in career aspiration Vermont when we were both spending some weeks at the Bread Loaf conference. She was a tall, graceful woman, with an oval face and in an harvard, a mercurial sense of humour that took time to reveal itself. Her presence was quiet and she was not sociable. But in a classroom a wonderful geniality emerged and was freely given to her students. After the evening readings we sometimes walked back together. Our resident houses were side by side at the end of a starless path. Career? It was cold. Referencing Harvard? But the porches were sheltered and career, we stood talking on essay those unseasonable Vermont nights as the light went out career essay+finance, of the distance and the mountain disappeared. I remember a spider to the side of the porch, descending and rising again on some inexplicable platform and how it amused her.

We went to each other's classes and readings. We talked every day. Yet after her death I was bemused to remember that hardly any of our conversations had touched on poetry. She brought out literature review on unemployment, three books between 1987 and 2004. The first , To The Place of career aspiration essay+finance, Trumpets , was published by Yale University Press. James Merrill, who chose her as the Yale Younger Poet that year, wrote in his preface about the rich tension between faith and not-faith in her work. 'Free of the referencing essay, shaping past?' he asks. 'Isn't the most we can do, to be free with it, submit it to some shaping of our own? This freedom in any case I find especially heartening in Kelly's poems.

Far from leading to career negation or bitterness, her lost faith becomes the stuff of vision'. But it was a vision that could be skewed. Given the sheer reach of mind body problem essay, her language, it's possible to overlook how dark Kelly's arguments could be. Aspiration? A deep pessimism about the who is the monster in frankenstein essay, human will and human behaviour pervades her work. One poem in the book points this up. It's called 'Imagining Their Own Hymns', and is voiced by a young girl. Career Essay+finance? Her mood is sullen. She resents her church.

She resents the so-called kind women who provide her with charity. As the poem goes on the speaker becomes less realistic. Her tone gathers power, becoming a symbolist transport for a vision of the monster, spiritual perversion she could never have had in real life. This will become a familiar manoeuvre in a Kelly poem. Aspiration Essay+finance? Vision will be provided just as often by the forces of darkness as those of light. In the final lines, the girl lands a magic-making angeras well as her hopes of who is in frankenstein essay, escapeon the figures of the church angels. And these angels that the women turn to. are not good either.

They are sick of Jesus, who never stops dying, hanging there white. and large, his shadow blue as pitch, and blue. the bruise on his chest, with spread petals, like the hydrangea blooms I tear from. Mrs. Aspiration Essay+finance? Macht's bush and smash on the sidewalk. One night they will get out of here. Who Is The Monster Essay? One night. when the weather is turning cold and a few. candles burn, they will leave St. Blase standing. under his canopy of glass lettuce. and essay+finance, together, as in a wedding march, their pockets full of money from the literature on unemployment, boxes. for the sick poor, they will walk down the aisle, imagining their own hymns, past the pews. and the water fonts in which small things float, down the aspiration, streets of our narrow town, while. the bells ring and body problem, the birds fly up in the fields. Career Aspiration Essay+finance? beyondand they will never come back. Body Problem? In 1995 Kelly's second book was published by BOA Editions, simply titled Song . It was immediately successful. To the Place of Trumpets had shown rare gifts of career aspiration, syntax and timing. Kelly's characteristic line was talky, uncluttered, and yet had a clear and sophisticated musical intent. All of this had progressed in Song into bold themes and images.

The title poem was eye-catching. Review On Unemployment? She had published it two years earlier in The Southern Review . Its presence was immediately obvious in the new volume, where it was placed firsta spacious, shadowy piece taking up all the oxygen. Career Essay+finance? The poem is mysterious and the monster essay, strangely plotted: A goat has its head cut off by schoolboys. The goat's head is hung in a tree and begins to sing. The goat has belonged to career essay+finance a young girl who has lavished affection on it. As the poem says: 'She named / The goat Broken Thorn Sweet Blackberry, named it after / The night's bush of stars, because the goat's silky hair / Was dark as well water, because it had eyes like wild fruit.' The action of the boys is both strange and symbolist. The language shimmers with suggestion and insinuation. The goat is not quite real. The severed head and body have mystical longings. 'The head called to the body.

The body to the head. Of Texas Dissertations? / They missed each other. The missing grew large between them, / Until it pulled the heart right out career aspiration essay+finance, of the body, until / The drawn heart flew toward the head, flew as a bird flies / Back to its cage and the familiar perch from discrimination aboriginals, which it trills.' Dissonant as 'Song' is, for many people it announced an extraordinary arrival in American poetry. A reviewer from the journal The American Poet wrote 'Her poems are like no one else'shard and luminous, weird in the sense of making a thing strange that we at aspiration essay+finance last might see it'. But the masterpiece of 'Song' is the review, final poem: 'Three Cows and the Moon'. It is a deceptive, untidy pastorala mother and career essay+finance, two children playing baseball in fading lightand it is wrapped around its own careful disorder.

Even the darkness is of texas dissertations, disorderly. The speaker tells us she heard how darkness behaves differently from what we thought. It doesn't come down but rather rises up: 'It gets the ankles first. Career? It circles / The ankles like flood water'. Looked at closely 'Three Cows and the Moon' is an Ars Poetica : one of those poems that act as quiet manifestos. In Frankenstein Essay? Eventually the game stops, the animals vanish, and the moon rises. Aspiration? It is high and small. It might be a flower the poem suggests. It might be an oracle. The final lines of the poem could be a summary of the core of Kelly's work: a description of the moon as 'Something / Completely understood.

But unspeakable.' Her third book, The Orchard, appeared nine years later in discrimination against essay zoo4. It was a graver, darker enterprise. The poems were less lyrical, the lines longer. Frequently the texts tilted over into heraldic prose arguments. The animals were now more assertively signs and legends. She-wolves and satyrs filled the pages. Career Essay+finance? In the title poema long complex meditation on violencea dog eats a doe, at first in a dream, then in reality.

The speaker picks up an apple to throw at the dog and finds herself holding not an world bank essay 2009 apple, 'But the still warm and almost beating / Heart of career, some holy being'. It was at world bank competition Bread Loaf that I first saw Brigit Pegeen Kelly read, one evening late. The room was crowded. As usual, she read some poems by Wallace Stevens. Then one of her own.

Perhaps it was more than one. But this single poem is what I remember. It was called 'Closing Time; Iskandariya'Iskandariya is the old name for essay+finance, Alexandria, the ancient city that stood between Babylon and of texas, Seleucia. In ancient times it was also the site of the career, great library referred to in the mind essay, last line. 'Closing Time; Iskandariya' was never published in full book form. It appeared as an op-ed in the New York Times in 2005. It can be read at this distance as a culmination of many of Kelly's themes. Essay+finance? The poem sprawls across the page, prosy and dense. Mind Body Essay? It seems to say at last what she wanted to say in so many poems: about human will and submission and the perversions of grace itself. In her actual reading the argument went forward with speed and precision. Aspiration Essay+finance? Her listeners that night, myself included, were mesmerized by the sheer scope of it. But the poem rewards a slower study of its elaborate build and conclusion.

The poem begins: 'It was not a scorpion I asked for, I asked for a fish, but maybe God misheard my request'. As the speaker continues, lost in a world that seems half-fable, half-prayer, the scorpion emerges as an unlikely ally in helping the speaker understand the blindness of human purpose. 'God gave me a scorpion, a venomous creature, to be sure, a bug with the bite of Cleopatra's asp, but not, as I soon found out, despite the dark gossip, a lover of violence or a hater of men. In truth, it is shy, the scorpion, a creature with eight eyes and who is the monster in frankenstein essay, almost no sight, who shuns the career aspiration, daylight, and is driven mad by who is essay fire'. How are we to read Brigit Pegeen Kelly? After her death I kept returning to a conversation we had at essay+finance Stanford when she came as a visitor.

We were in a coffee shop on campus, spring light filtering through every window. She spoke lightlyalmost off-handedlyof wanting to suppress her first book. She was not satisfied with the work in it. I'm not sure how intent she was on the monster essay this. But the conversation itself pushed me towards other reflections.

I thought her poetry was untroubled in career its reach and confidence; but her attitude to it less so. In conversation it was clear that she considered herself an referencing essay harvard exile in career essay+finance a world of expression. Literature On Unemployment? She wasthough it seems strange to aspiration say itonly reluctantly a poet. It wasn't just that she disdained much of the poetry world's traffic. Although she did. (And yet she found a warm and deeply supportive publisher in Michael Schmidt of who is in frankenstein, Carcanet, by whose kind permission 'Song' is essay+finance, reprinted here).

Nevertheless, the readings, the gossip, the fray were not for discrimination against aboriginals, her. It was also that she clearly longed for a world less governed by the limits of language, more amenable to the freedoms of aspiration essay+finance, silence. She mentioned to me at essay competition one point that when she was young she had considered the essay+finance, religious life, but hadn't committed to it. Was she then a religious poet? Could it be that our losing that critical vocabularywhich we have long losthelps to account for problem, the difficulty in talking about her achievement? I'm not sure. Aspiration Essay+finance? She doesn't read like a religious poet.

The conventional religious poet writes poems of doubt from a perspective of faith. But as her poems progress, her work does something different: it tracks through spaces of literature review, broken statues, violated animals, and disorderly perceptions. In this trajectory, she seems more like an career aspiration elegist for faith than an owner of it. But there is another way of understanding her workand maybe a more accurate one. Referencing In An Harvard? And that is through the history of twentieth-century poetry itself. In this context, it often seemed to me she stood on career the wrong side of the harvard, inheritance. With the rise and career aspiration essay+finance, fall of bank essay, modernism, the experiments in surrealism, the gestures towards interiority, it could be argued that poetry failed to build a convincing architecture of the inward life.

The self-reflective life, certainly. But not the contemplative one that so many of Kelly's poems seem to yearn for. And yet she remained an ardent maker of the blueprints. Kelly's poems are stocked with wild creatureswith blind scorpions and headless goats, with angels pushing down the career aspiration essay+finance, street of a small town. These are first and foremost poetic figures. University Of Texas Dissertations? But they can also be seen as emblems of that contemplative life a turbulent poetic century had turned out of its habitat. Kelly's work registers that twentieth-century failurethat inability of poetry to speak the dialect of the contemplative life. Her best poemslike 'Closing Time; Iskandariya'seem to register her striving to find points of connection with a lost peace. From that striving come the powerful, exemplary poems that survived the loss.

And will remain. Career Essay+finance? Listen: there was a goat's head hanging by ropes in discrimination against aboriginals a tree. All night it hung there and sang. Aspiration? And those who heard it. Felt a hurt in their hearts and thought they were hearing. The song of a night bird.

They sat up in aboriginals essay their beds, and then. They lay back down again. Career? In the night wind, the goat's head. Swayed back and forth, and from far off it shone faintly. The way the moonlight shone on the train track miles away. Beside which the goat's headless body lay.

Some boys. Had hacked its head off. It was harder work than they had imagined. The goat cried like a man and struggled hard. But they. Finished the job. They hung the bleeding head by the school. Mind Essay? And then ran off into the darkness that seems to hide everything. The head hung in the tree.

The body lay by the tracks. The head called to the body. The body to the head. They missed each other. The missing grew large between them, Until it pulled the heart right out of the body, until. The drawn heart flew toward the head, flew as a bird flies. Back to its cage and the familiar perch from essay+finance, which it trills. Then the heart sang in the head, softly at first and then louder, Sang long and low until the morning light came up over. The school and over the tree, and then the singing stopped . The goat had belonged to university of texas a small girl. She named.

The goat Broken Thorn Sweet Blackberry, named it after. The night's bush of stars, because the essay+finance, goat's silky hair. Was dark as well water, because it had eyes like wild fruit. The girl lived near a high railroad track. At night. She heard the trains passing, the sweet sound of the train's horn. Aboriginals Essay? Pouring softly over her bed, and each morning she woke. To give the bleating goat his pail of warm milk. She sang. Him songs about girls with ropes and cooks in boats. She brushed him with a stiff brush.

She dreamed daily. That he grew bigger, and he did. She thought her dreaming. Made it so. But one night the career aspiration essay+finance, girl didn't hear the train's horn, And the next morning she woke to an empty yard.

The goat. Was gone. Literature? Everything looked strange. It was as if a storm. Career Aspiration Essay+finance? Had passed through while she slept, wind and stones, rain. Stripping the branches of fruit. She knew that someone. Had stolen the goat and that he had come to harm. She called. To him.

All morning and into the afternoon, she called. And called. She walked and walked. In her chest a bad feeling. Like the discrimination against aboriginals, feeling of the stones gouging the soft undersides. Of her bare feet. Then somebody found the goat's body. Essay+finance? By the high tracks, the flies already filling their soft bottles. At the goat's torn neck. Then somebody found the head.

Hanging in a tree by the school. They hurried to take. These things away so that the mind problem essay, girl would not see them. They hurried to aspiration essay+finance raise money to buy the girl another goat. They hurried to find the boys who had done this, to hear. Them say it was a joke, a joke, it was nothing but a joke . But listen: here is the point. The boys thought to have. Their fun and literature review, be done with it. It was harder work than they. Had imagined, this silly sacrifice, but they finished the job, Whistling as they washed their large hands in the dark.

What they didn't know was that the goat's head was already. Essay+finance? Singing behind them in the tree. What they didn't know. Was that the goat's head would go on singing, just for them, Long after the ropes were down, and that they would learn to listen, Pail after pail, stroke after patient stroke.

They would. Wake in the night thinking they heard the mind body problem, wind in the trees. Or a night bird, but their hearts beating harder. Career Aspiration? There. Would be a whistle, a hum, a high murmur, and, at last, a song, The low song a lost boy sings remembering his mother's call.

Not a cruel song, no, no, not cruel at all. Dissertations? This song. Is sweet. It is essay+finance, sweet. The heart dies of this sweetness. Eavan Boland, the author of more than a dozen volumes of poetry and nonfiction, is a professor and the director of the creative writing program at Stanford University. Copyright © 2017 by Eavan Boland. All rights reserved.

Reproduced by Poetry Daily with permission. For previous PD Prose Features, visit our Prose Archive.

Buy Essay Online -
How Will a Scholarship Help Achieve Your Education & Career Goals

one three one essay David McKenna , April 2nd, 2017 18:40. As an outsider, It's tempting to view Japan through an career essay+finance extremely narrow musical lens, a caricature typified by jazz and karaoke – if you're lucky someone might mention either Sakamoto – but Ian F. Martin's new book is referencing in an essay harvard a wide angle shot of a sprawling scene. Since Ian F. Martin's fascinating, breezy tour of the Japanese music scene is unapologetically personal it feels appropriate to career aspiration take the same approach with this intro. Last November I spent ten days in Japan, and who is in frankenstein about half that time in Tokyo.

Before heading over I did a little research, trying to figure out how I could catch some good live music while I was there. Almost immediately I came across Ian's illuminating Clear and career aspiration essay+finance Refreshing blog, his label Call Response and articles for The Japan Times. I sent an email just asking for a few tips; the in an essay harvard reply came almost immediately. Apparently he mostly gets messages from career aspiration, South America looking for help with becoming famous in Japan so mine made a pleasant change. With Martin as my ever-amenable guide, over several nights I caught bands as diverse as the gushingly melodic Luminous Orange, the discrimination against aboriginals fascinating rhythms of Beat Satoshi, the mighty In The Sun (pitched as a “thundering disco-kraut instrumental band” - sold!), the career aspiration kraut n hardcore of The Noup and Takako Minekawa Dustin Wong's squiggly avant-pop. I also spent an afternoon of excited bemusement watching a sequence of idol groups - matching costumes, cat ears, vocoders, a bellowing man dressed as a wrestler who turned out to be a huge fan of Magma (“best band in the world!”), stylistic mash-ups running from bubblegum to technopop to 'electro-ska' - (m)otocompo, of which more below - and grown men clutching glowsticks bowing down to worship teenage girls. Just describing this I'm conscious that my memories of the event have been overlaid with the pervasive 'weird Japan' filter that Martin does his best to provide a corrective to in his recently published first book Quit Your Band!

Musical Notes From The Japanese Underground . There are other aspects of idol that the book have clarified, like its intersection with other underground factions, and the levels of knowingness and/or sincerity that I was too fresh to decode. But Quit Your Band! isn't just about idol music. In the first half, Martin provides a quick primer on the history of Japanese popular music, from the Western-influenced kayo kyoku and lachrymose enka ballads, through the literature review arrival of rock, punk, city pop, the dawn of J-Pop, the Shibuya-Kei scene of Cornelius and career essay+finance the Trattoria label and onwards. The second half covers themes including scene and sexual politics, the problems of running nights in Tokyo and the impact of language on the form and sound of dissertations, Japanese music. One thing that Quit Your Band! taught me was how skewed my experience of Tokyo's underground music scene was, thanks to career essay+finance my having had a guide with similar musical taste to my own - I doubt it would have been so easily accessible had I tried to arrange things myself. Hopefully now others can also benefit from in an, this insider account. Career? Quit Your Band! is who is in frankenstein a gateway, a gateway drug even. It's also a love letter of sorts, but it speaks of essay+finance, that more lucid love that develops only who is in frankenstein, after years of intimate acquaintance, that looks back affectionately on the early stages of infatuation and mixed signals, and that is equally inspired and affectionately exasperated by its object. The interview that follows is accompanied by Martin's own musical selections. Quit Your Band is, as you're at pains to point out, largely refracted through your own experiences and career aspiration musical interests.

Was that always the body idea? How did the structure of the book come together? Ian F Martin: It was a balance I had to career strike between being fair to the vast scope of music in against essay, Japan and essay+finance the necessity of limiting the world bank competition 2009 frame in some way. A lot of career aspiration, books about Japanese music limit their scope by some combination of time period and body problem essay genre. Julian Cope's book ends before punk gets going, while Kato David Hopkins' Dokkiri! Japanese Indies Music 1976-1989 and Michael Bourdaghs' Sayonara Amerika, Sayonara Nippon both use the end of the 80s as a cut-off point. Career? There's a lot of value in that approach, because you have the perspective of mind essay, history on your side, helping you filter what's important from what was a flash in the pan. The main advantage I bring to the table is career aspiration essay+finance some first-hand experience of the indie scene from the early 2000s to the present day, which means I don't have access to that sort of perspective - that was the problem I had to discrimination against aboriginals essay resolve. Career? A big influence on mind, the structure was actually Artemy Troitsky's book Back in the USSR: The True Story of Rock in Russia , which started as a rock history, but gradually began to dovetail with his personal experiences as a promoter.

What I realised was that this couldn't really be a guide to the bands or musicians but rather an almost autobiographical trip through my experience within this pretty narrow slice of the scene as a base to explore the career environment musicians operate in. Essay? Its benefit would have to be in career, giving readers a framework into which they could contextualise any Japanese music they encounter. Some of what's in world competition 2009, the book originally appeared in some form in career aspiration essay+finance, your Japan Times columns. Given the time that had elapsed between some of the literature review on unemployment columns and writing the essay+finance book, what were you glad to be able to review revise? IFM: When Awai Books initially approached me with the idea for doing a book, their suggestion was to make the book simply a compilation of aspiration, a few selected articles, perhaps with some minor edits, taken directly from my Japan Times column. This filled me with horror, since a lot of those articles were pretty old by then and I was quite certain they were awful and best forgotten rather than enshrined in literature on unemployment, a book - my first book! The other problem was that they would by their nature be disconnected fragments rather than illuminating the career music scene as a whole in any meaningful way. Essay Harvard? So in career aspiration essay+finance, a fit of bravado I told them, “How long do you need? Six months? I'll write you a new book!” I think it ended up taking me about bank essay 2009 three years, and by the time it came out a lot of it was just as old and essay+finance embarrassing to me as the articles I'd been so worried about. I think what I got most out of it was having the freedom to play with a larger canvas and experiment with different styles.

Using this more autobiographical style in places, or interspersing the text with these semi-fictional sketches of music scene life - even if they were a bit clunky at times, they made it more fun. Whereas I suppose an 'enlightened' position these days would be anti-canon, you make a strong case for the establishment of discrimination against aboriginals essay, a canon being a useful thing, at career essay+finance least initially, even as something that can then be disagreed with and even overthrown later. Would you have been anti-canon yourself naturally before encountering the Japanese music scene? IFM: I'm probably still anti-canon now, but you can't be anti- something that doesn't exist. I need to discrimination against essay construct a canon so that I can be anti-it. I suppose it's a kind of old-fashioned idea, in that a canon anchors the career essay+finance conversations everyone is having around a set of core texts, and university someone who's grown up with a fractured, dissipated music scene being the norm all their life would feel horrified by the arrogant attempt to construct some sort of Babel Tower of essay+finance, rock. I see it as a useful lightning rod for discussion though. As soon as it appears, I start seeing a big target painted on it and want to start shooting things at essay it. Career Aspiration Essay+finance? Some people seem to think that the obvious fact that musical taste is subjective is somehow the end of the discussion. Bullshit: it's the beginning!

Let's lay out body our subjectivities and have them do battle! I suspect with the fragmented way music consumption is career essay+finance evolving, canon might not turn out to be the best filter through which to analyse music of the world essay 21st century, but looking at music made up to the 90s, which occurred within a much more shared culture, it's useful, maybe even as a way of reassessing the past through the lens of a changing music culture in essay+finance, the present. You briefly mention that in Japrocksampler , Julian Cope covers some of the world essay 2009 heavy 70s bands, “entertainingly but fancifully.” What did you find fanciful? IFM: Well, just that a lot of it isn't true. If you talk to anyone with actual first-hand knowledge of the 70s underground, it's pretty widely understood that he just flat-out made up a lot of it. Aspiration Essay+finance? DU Books, who published the Japanese translation of Japrocksampler had to post an online fact-check detailing all the parts that are made up. He's always done this with his writings about literature music though. In his autobiography he admits to having invented anecdotes, and essay+finance even entire bands, in an article about the 60s garage rock scene. I remember speaking to Damo Suzuki about on unemployment him once, and he said something along the lines that Julian Cope often writes things that aren't strictly true, but maybe they're true in aspiration essay+finance, his personal cosmos. Cope's novel, One Three One: A Time-Shifting Gnostic Hooligan Road Novel is nominally fiction, but it draws heavily on reality, so I think he just finds the university boundaries between fiction and career aspiration essay+finance reality kind of an 2009 unnecessary hassle. The weirdest part is that the bit about the bassist from Les Rallizes Denudes hijacking an aspiration aeroplane and dissertations flying it to North Korea seems to actually be true.

Elvis Costello is career essay+finance mentioned as a major ingredient in the formation of the rockier strand of J-Pop, which I found quite surprising. How did that manifest itself? IFM: I don't know if Elvis Costello was particularly big here exactly - I was really just saying that they were obviously an of texas influence on one particular band, Mr. Children, who also happen to be pretty much the biggest Japanese rock band ever. The way he tells it, his attempt to break Japan by playing on the back of essay+finance, a flatbed truck in Ginza was a disaster and he couldn't even give his records away for free. In An Harvard? I think he occupies an interesting position between punk and career aspiration classic rock though, which may have helped him in essay, places that just weren't ready for punk in its purest form. Aspiration Essay+finance? In Yugoslavia, for example, Elvis Costello was released by one of the official state-run record labels when bands like The Sex Pistols were banned. In Japan, the 'band boom' of the mid-80s was partially influenced by punk, but really these were just nice kids who liked The Beatles and wanted to be in bands.

Elvis Costello would have fitted in very neatly with that scene, and I think that's why you can hear his influence so clearly in Mr. Referencing In An Essay? Children, who were themselves very much a product of career aspiration, this 80s band boom. At the referencing various points in the story of idol music, are there ever any common definable musical qualities to it, or is the essence of Idol in the type of group and the fans' relationship to essay+finance that group? IFM: Through the 70s and 80s, idol music was just pop music, so it wasn't musically operating under any particularly different set of expectations than anything else. It might have been a bit cutesier, a bit more bubblegum to fit the image of the singer, but I don't think you could have called it a distinct musical genre. Nowadays it certainly gets packaged as a distinct genre, and although it still cribs from J-Pop melodic conventions, I think it's a bit more distinct from mainline J-Pop - probably more in what it hasn't absorbed than what it has. Idol groups in bank competition 2009, theory crib from a lot of career aspiration, different genres, with Babymetal being probably the world essay competition most obvious, but the aspiration essay+finance songs themselves haven't really changed that much from the mid-90s. Listen to 'Heavy Rotation' by of texas idol group AKB48 and compare it with 'Blue Tears' by career aspiration essay+finance 90s J-Pop band Judy And Mary and the only thing that's changed is that they've taken out anything interesting the guitars were doing and changed the discrimination against aboriginals essay arrangement so that too many people are singing at aspiration the same time. What you don't really find in idol music, but which was a big influence on J-Pop from the late 90s onwards, was RB. You find the odd idol group doing something interesting or different, but it's this mid-90s mean that they always seem to return to. In the chapter 'Puppets of Sawdust, Puppets of Sound', you manifest a clear discomfort with the “dancing dolls” approach.

Is there any wiggle room for the idols? And moral wiggle room for fans of the Idol groups? IFM: I don't know how much of the irritation I feel with idol culture is really about morality or how much of it is just like when I discovered that Eric Clapton was a horrible racist or the Red Hot Chili Peppers were sex pests - a sense of relief that finally I had a moral high horse to carry the loathing I already had for their awful, awful music. In Frankenstein Essay? Twelve years ago, all those vaguely emo-ish indie rock bands who'd grown up in the aftermath of Number Girl seemed to rule the music scene, so when Perfume (who aren't really an idol group now but certainly were at the time) started to get hip, it was like a dazzling ray of aspiration, neon sunshine - like, suddenly there's this bubblegum pop trio ripping off Daft Punk, holy shit! When Momoiro Clover appeared, it was genuinely exciting too that there was something so musically inventive and out-there happening.

So part of it may just be that as it got more popular and infiltrated more cultural spaces, it got old for me. At the on unemployment same time, though, there's something icky at the heart of the kind of fan relationship it fosters that I don't think it can ever really be separated from. Essay+finance? Sure, situations like the recent case of a girl being successfully sued by the monster her management, basically for losing her virginity, are extreme, but they're extensions of career aspiration, a sort of paternalistic relationship between performer and audience that is deeply embedded in the culture. University Of Texas? There are some idol groups I have a soft spot for aspiration - Kit Cat are fun, cool, weird girls - and even something as horrid as AKB48 I'll still take over of texas the latest groaningly earnest J-Rock band like [Alexandros], Uverworld, Back Number or something. The book gave me a clearer idea of how the indie and idol scenes interact and co-exist. At the time I remember you mentioning that a particular musician wrote for idol groups using a pseudonym and me thinking this was down to aspiration an issue of literature, credibility, which it turns out wasn't the case at all.

Any Western notions of 'credibility' are very hard to transpose onto career the Japanese scene aren't they? IFM: It's an interesting question, and the monster in frankenstein essay not just relevant to aspiration indie musicians. In the 1980s, Yumi Matsutoya was one of the most respected singer-songwriters in Japan, and she kept her work very separate, refusing to release singles off her own albums even as she was writing massive hit songs for review on unemployment the idol Seiko Matsuda under a pseudonym. I think when we talk about “credibility”, we're usually talking about the perceived legitimacy someone's work has in the eyes of others. It's closely linked with the idea of selling out, which is a concept I don't think really carries much weight in Japan these days. I mean, I pay my bills writing ad copy, and aspiration I'd probably get more “credibility” among a lot of people for some of the brands I've worked on than I would for this book. The same applies to writing songs for idols, and a lot of in an essay harvard, people would be very proud of having successfully sold songs to idols, they'd put it on their band profile page, and they'd milk it for all it's worth.

It's probably a bit more personal in the case of the friend of mine you mentioned. Aspiration? She surely knows that she wouldn't suffer any blow to discrimination against aboriginals essay her credibility if she used her real name in career, her idol songwriting, but since her own songs are of such a different nature musically and in terms of content, she probably feels she'd rather keep her two identities separate. On one level, perhaps it's embarrassing because she puts more of herself into referencing essay harvard her own songs and considers her commercial songwriting rather like how I consider my ad copywriting. But there may also be a sense of not wanting the expectations that the essay+finance idol group's fans would bring with them to intrude on what she does for dissertations herself. I'd like to take the case of a group I saw while I was there, Motocompo (or some version of career, them). As they're mentioned in the book, could you talk a bit about their evolution?

There were several twists in their development which, to discrimination an inexperienced observer, just seem very strange. IFM: OK, well the guy you met, Dr. Usui, is an aspiration essay+finance interesting guy in the music scene. Bank Competition 2009? He's surfed a lot of career aspiration, waves over the past twenty years or so. Motocompo began in about 1997 or so with a female singer, Chiho, as part of a generation of on unemployment, bands along with the rather better-known Polysics who were reviving new wave and technopop from the late 70s and early 80s - people like Devo and Japanese groups like the Plastics. Career Aspiration Essay+finance? After Polysics signed with Sony, interest in who is the monster essay, the rest of that scene died down, but some of the essay+finance same people emerged again in the early-2000s, making chiptune and Shibuya-kei revivalist music. Again, Motocompo were there, evolving in in frankenstein essay, a more synthpop, dance music direction.

In the end, the group Capsule became quite popular out of that scene, with Yasutaka Nakata from Capsule producing this idol trio Perfume with a sound quite similar to what Motocompo had been doing. The next thing that kicked off among that crowd was electro, and again Dr. Aspiration? Usui was there, making a quite well received electro album as a solo artist. When otaku culture became big business, he was there again as a producer and world essay competition trackmaker for idols and anime - I remember he and I forming half-hearted plans to produce a dance-metal idol group, but fortunately someone else got there first. Then he finally semi-revived Motocompo as an career all-male electro-ska-themed fake idol group called (m)otocompo (with a silent “m”), which is a kind of bank 2009, pun on “otoko”, meaning “man”. Career Aspiration Essay+finance? And somehow it turned out essay there were people who actually wanted to hear something like that. Career Aspiration Essay+finance? Ninety percent of genius is persistence. There's a surprising porousness between Japanese subcultures, but one which co-exists with some apparently very strict segregation between scenes. How do you explain the paradox? IFM: When people talk about “subculture” in Japan, they usually mean a sort of trashy aesthetic that incorporates anime, some sorts of punk, idol groups, pro-wrestling, cult movies, anything else a bit off-the-wall and mind body essay larger-than-life.

In that sense, “subculture” may cut across certain old genre lines, but really it's just a genre in itself - a genre characterised more by the mode of consumption than of career, creation. World Bank Essay? There are subcultures like the industrial and goth scenes that may be interested in a lot of these things too, but grouped under a different aesthetic and aspiration without much audience crossover. World? In the essay+finance music scene more generally, people stick to world bank what they know because there's no reliable curation. The music media doesn't really take on that role anymore, except in aspiration essay+finance, the case of big, commercial entities like Rockin' On Magazine; live venues are desperately trying to find five bands a night, thirty nights a month to keep their doors open, so they can't afford to apply strict quality control; organisers like me tend to be inconsistent in dissertations, where and when we do events. With tickets as expensive as they are, audiences don't want to take risks. The CD is still dominant in the Japanese market, even if it's in career, a state of “glacially slow decline” as you say. Spotify arrived in Japan in September last year, do you think it will accelerate that decline? IFM: I think the fact the music industry has allowed Spotify to begin business means that they've already done a deal with themselves to carve up the streaming market. Sony and Avex, the two biggest record companies, already had their own streaming platforms before Spotify launched here, and university of texas dissertations Apple had already launched its own system. I think it will accelerate the death of the CD, but I don't know if Spotify will benefit from it particularly.

I can see them closing up shop in Japan again or selling up to a rival within the next few years. I mourn the career essay+finance death of the CD though, and in particular the CD/R, which I have a strong romantic attachment to. The Monster In Frankenstein Essay? It was the most democratic physical medium ever for music - cheap to make, everyone had the means to burn them, ideal for short runs, and if you got the white ones, they were easy to draw on. I have a dream of one day starting a “CD/R Store Day” out of my garage and it being a massive failure. That would make me happy. Do Shibuya's record stores (or stores elsewhere) still have the power to break artists as they did with Shibuya-kei? IFM: I doubt it. Career Essay+finance? I mean, even in the 90s, they would never have been able to get a Momus-produced Kahimi Karie song into the top 10 without TV.

With TV not really having the influence it did, and record stores certainly not being the same hubs of tastemaking they were, I find it hard to imagine something like that happening again. Tower Records does a lot to promote idol music, and puts out various special releases through its own imprints, but with idol music they're really just following a trend that began elsewhere. Literature On Unemployment? A record store can still be influential in helping a band on the road to success, but a lot of aspiration, factors have to aboriginals essay fall into essay+finance place, and usually there's the marketing grid of essay, some clever management company behind it. One of the more popular upcoming J-Pop acts these days is career this quirky project called Suiyobi no Campanella, and world they did a string of exclusive releases for individual record shops before they released their first proper album with a big flourish. Record stores definitely helped them, but they were really just tools in career aspiration essay+finance, a smart buzz-building exercise that was being driven by the band or their management. Who's a recent discovery you're excited about who isn't mentioned in essay, the book? IFM: There are a lot of career aspiration essay+finance, good bands from the monster in frankenstein essay, outside Tokyo that I've discovered travelling around Japan. Jailbird Y are an absolutely immense noise-rock band from Hiroshima, and there's this band from career aspiration essay+finance, Okayama called The Noup who've got really good recently doing this really intense sort of kraut-punk thing with a singing drummer.

I can't remember if I mentioned them in the book or not, but this duo from Fukuoka called Sonotanotanpenz are wonderful too. World Bank 2009? I have no idea what sort of career essay+finance, music it is, but it manages to combine folk, hip hop and world 2009 random atonal messing about, all with this really intricate and quite affecting vocal interplay between the two members. Quit Your Band! Musical Notes From The Japanese Underground is aspiration out now, published by literature on unemployment Awai. If you enjoy The Quietus, please consider supporting what we do with a one-off or regular donation. If you love our features, news and career aspiration essay+finance reviews, please support what we do with a one-off or regular donation. Year-on-year, our corporate advertising is down by around 90% - a figure that threatens to who is the monster in frankenstein sink The Quietus. Hit this link to find out more and aspiration essay+finance keep on Black Sky Thinking.

Best Of September '17. Best Of September '17. A September Despatch. A September Despatch. The Foundation Of Pop. The Foundation Of Pop. LPs Of 2017 Thus Far. LPs Of 2017 Thus Far.

Make a Contribution. Make a Contribution. Vida Eterna Moses Sumney. Rave Culture Jon Hassell. Dream Theory In Malaya (Fourth World Volume Two) Unsane. Sterilize David Grubbs.

If you enjoy The Quietus, please consider supporting what we do with a one-off or regular donation.

How to buy essay cheap with no worries -
Jennifer s Columbia MBA Essay (First Submission) - Veritas Prep

5 Tips for Creating a Photo Essay with a Purpose. As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. A cast of characters all working together to career aspiration essay+finance, get your point across. Instead of proper grammar, you ensure proper exposure. Instead of spelling errors, you watch for tack-sharp focus. Who Is The Monster In Frankenstein Essay. For those times when the aspiration essay+finance, story is especially important and meaningful, or for when one image doesn’t say it all, there is the photographic essay. Literature. With blogging and social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to aspiration essay+finance, tell.

I’ve mentioned before that taking on a photo project is one of literature, my favorite ways to reignite my love for photography, but beyond that, it’s a great way to get your message across and essay+finance, have your work seen by a larger group. A photo essay is intriguing; it’s something to talk about essay competition 2009 after people hear that you’re a photographer and want to know about the glitz and glamour of it all. It’s the perfect thing to career aspiration, tell them after you’re done going on university and on about all of the red carpets, the aspiration, celebrities, the fame, and who is in frankenstein, the fortune. It also can be extremely satisfying and kick-start your creative wonderment. Career. By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. It can be only images, images with captions, or images with full text. In short, it can be almost anything you want it to be. Which is where I struggle mostwhen the options are limitless. Review. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and essay+finance, promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less.

While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay: Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the end result. An example: for a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to be able to review, offer them a different spin on the portrait sessions I was doing for them. I asked a long-time client if her family could be my guinea pigs for this and told them that we could do whatever they wanted. Essay+finance. We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning. Then, very last, I photographed the two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the session and body, edited those last note pictures first just because they were so different from what I usually shoot, and posted them on aspiration essay+finance my personal Facebook page the heading Notes Girls Write . Within minutes a dear friend, and fellow photographer, commented that this was big. Bigger than just the two pictures. She and I would spend the next year working on bank a photo essay that became a blog, that in aspiration turn became a book entitled Notes Girls Write . We photographed hundreds of women of university of texas, all ages with their notes, each one later expressing having their portrait taken with their own words was an aspiration essay+finance, extremely powerful moment for them.

Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in the 4th grade for “Most Patient”, Notes Girls Write is one of my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in world bank essay 2009 viewers and becoming a large and powerful project, one of the career essay+finance, biggest markers in of texas dissertations my career so far. Essay+finance. TIP: Don’t be so set in your idea that your project can’t outgrow your original concept. Your images will guide you to aboriginals essay, your end result, which may end up being different than you originally envisioned it. Career. 2) If you think there’s something there, there’s likely something there. For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from overpopulated shelters, or seized from terrible situations, to mind problem essay, my area, where dog adoption rates are much higher. Essay+finance. These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes.

It’s incredibly rewarding. Especially when I had hardwood floors. Against Essay. I knew from the first time I met the transport van I wanted to document what it looked like: a van full of dogs that just narrowly escaped death arriving to career aspiration, temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. On Unemployment. I am also put to work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine. I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to raise awareness, or to help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the images, ready for their time, whenever that is.

TIP: If you think there is something to career aspiration essay+finance, it, there likely is. Even if it’s just a personal passion project. Take photos until you find the direction or purpose and save them until your essay takes shape. You may not end up using all, or any of the images, but in continuing to take photographs, your project will be defined. I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting. Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the better. Literature Review. This is one of the career essay+finance, few times I push my luck and ask my subjects to work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the review, added advantage of not pushing people until they cry or yell).

Don’t be shy. Career Aspiration. Shoot everything you know you don’t need, just in in an case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready. Take advantage of essay+finance, digital (if that’s how you shoot) and bank competition, fill a memory card. Essay+finance. You may end up trashing everything, or you may not. I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in the very beginning I ended up with some shots that told complete stories and mind body problem essay, expanded on the original concept. TIP: Think big. If you are shooting an essay where mountains are your subject matter, see the mountain in pieces and photograph the surrounding trees, rocks, and whatever else. This will save you having to return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned. 4) Ask for help with image selection. I struggle with this oneI let my personal feelings get involved.

Throughout our Notes Girls Write project I was constantly picking images based on career aspiration my personal feelingsthe subjects that I had connected with more, and the girls that I knew were most interested in the project. This is where it is of texas so helpful to career essay+finance, have someone else help. Someone who has no personal feelings towards the literature on unemployment, images and career, will help you pick based only on the strength of the image and not your own feelings. Problem Essay. Even if people were not involved as subjects, you tend to have personal feelings toward images that the general public may not see the career essay+finance, power behind. I recently photographed several dozen sexual assault survivors as part of world bank competition, a photographic essay for a victim advocacy’s annual gallery show. This event is meant to put faces on the survivors and essay+finance, raise awareness, and has been a large local event for years. Discrimination Aboriginals. I was thrilled to be selected to be the exclusive photographer, though this was one of the hardest projects I’ve ever taken on. The photo sessions themselves, whether five minutes or 30, were extremely emotional for the survivors and in the time I spent with them, I often learned a lot about their journey and experience. This made it difficult for me to pick which final images would be used for the show, based only on aspiration the power of the image and not my personal feelings. Literature Review. In the end several select friends helped me narrow each survivor’s images down, and career essay+finance, the subjects themselves selected which would be the final image used, as ultimately this is their story.

TIP: All creative work is personal, and the monster, looking at photographs we take ourselves is incredibly hard to do with clear eyes. We see the mistakes, the personal feelings, the career aspiration essay+finance, shot that could have been better. It’s impossible to always set these aside so when working on bank 2009 a project that is incredibly important to you, or large in scale. Have others help you decide what images to use for your final pieces. Essay+finance. Bring in people who are interested in photography and people that aren’t. Essay. People that know about your subject matter and people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings.

Lastly, also bring a thick skin. 5) Tell your story, in fact shout it from the rooftops if you can. Maybe your original idea for your photographic essay was to post it on your blog. Essay+finance. Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an organization, or a person? Could it inspire people? If you feel passionately about the literature review on unemployment, photos, chances are that someone else will too.

Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to aspiration essay+finance, create a photographic essay, there are likely “readers” for your story. Aboriginals. TIP: This isn’t the time to aspiration essay+finance, be humble. Taking on dissertations a photo essay is a large endeavour. While there’s nothing wrong with having it be something you only did for career aspiration, your own personal growth, showing it around can be helpful both in discrimination against experience and longterm benefit.

Post it on social media, find appropriate places your essay could be displayed, and think about aspiration essay+finance how it helped you. Every single photo essay I have done has led to against aboriginals, an outstanding connection, or more work, and aspiration, there is nothing wrong with getting those things along with the personal gain of accomplishing something you’re proud of. The ideas are truly for a photographic essay are limitless. Truly. Want a few more ideas for projects, try these? Have you ever done a photographic essay? What is your experience? Share with in the comments if you have, or have considered it.

If you haven’t, what are you waiting for? Read more from our Tips Tutorials category. Lynsey Mattingly photographs families, kids, couples, and university of texas, other groups of people who, for whatever reason, kind of like each other. Her portrait work has been featured in People Magazine, Us Weekly, BBC Magazine, and on national TV including CNN, Oprah, and career essay+finance, Ellen, but most importantly, in the personal galleries of clients across the country. Mind Problem Essay. Her photography can be viewed at career aspiration or on Facebook. Excellent post Lynsey. I suffer from the same challenges as you in tip #4. I get caught up in my personal meaning behind some of my pictures.

Apparently, others feel the world competition, same way. I have an idea for a photo essay I wanted to pursue, this article helped grow it further. Career Aspiration. Thank you. Literature. Wonderful article. I liked the picture for #3. This is the main reason why I think a blog is a much more interesting format than a photo sharing site such as flickr or 500px to show your work; for me, the images are just part of the story, but the words and essay+finance, texts can help define them, giving them context and review, body. For me, an image rarely works alone and usually comes in a set with a particular rhythm and flow; what precedes and what follows is a very important element of each capture, as well. One example from my blog, a short walk that I took recently along a humble neighborhood in Bangkok: I think the issue in Tip #4 is career aspiration common to all creative endeavors: We all get too close to the material. In a previous life, I was a writer and editor, but when it came time for me to edit my own stuff, I had somebody else look at body problem essay it. We have too much of ourselves tied up in the work to career aspiration, be objective sometimes.

Wonderful article, thank you #128578; some of the examples are awesome and thought-filling. Thank-you for telling me about this!! It pretty much rocks. I am so glad that I came across this article this morning. I am no pro in an harvard photographer but just someone who loves capturing images to share.

I have been asked to volunteer my time to capture a group of students in career aspiration Beijing, who would be traveling to Xian, the home of the terracotta warriors, to help out in in an essay harvard a orphanage just 2 weeks from career aspiration, now. I have never done this before. They are not expecting much. Just pictures for the event. However, I wanted to tell a story.

A story of these volunteers as well as the orphans and I have been struggling over the past week of whether is that what I should do. After reading this article, I know that I am on the right path and hopefully help not to take pictures of people, but take pictures of the discrimination aboriginals essay, story behind the people. Thank you again very much. This is my first opportunity to use my hobby for a good cause, and I am very excited about it. Thank you again for this great article. Really good points and very motivational to get me on a riveting photo essay again. I did attempt one such photographic essay which I titled #8220;The World of career, Weeds.#8221; Would appreciate a few visits with any helpful comments or critiques.

It#8217;s over at one of literature on unemployment, my blogs and essay+finance, can be found here: Body Problem Essay. you have some beautiful images there, but I would keep the focus similar. the shift in focus from 1, 2, 3 and 5 is essay+finance radical. Review On Unemployment. 5 the green plant on the corner and aspiration, then 7 seems another sudden change. The drain-pipe is beautiful because the eye follows the path of the pipe and so tightly focused. It seems to be erratic because you have the essay 2009, wonderful still life of dried plants against nearly solid backdrops like walls and then sudden change to green plants that don#8217;t seem to have the same focus.. but the dried plants and wall work, the drain beautiful and interesting. The green plants against walls work well with dried plants because they have similar conceptual style. Overall, is interesting group and should be developed some more. I recently completed my first photo essay as an career aspiration, eBook. It took me a long time to figure out how to work with iBooks Author, but it was a great platform to construct such a vehicle to display digital photographs in problem a meaningful way. Unfortunately, it only publishes to iBooks, which translates, effectively, to having the eBook only on iPads. Photo essays in black and white. This post inspired me to start my website of photo essays.

My current ongoing series is about a band I went on aspiration essay+finance tour with and the different things I learned and encountered: I recently made a photo essay which was published in a mainstream web portal so I#8217;m quite happy about that. I agree that sometimes, photographs have to in frankenstein, be put in context by using words to career, string them together. Also believe that any subject can be turned into dissertations a photo essay. The Photo Essay is a piece where its the career, photographer#8217;s voice through and through. Landscape Photography Tips. Review. Photo Composition Tips. Beginner Photography Tips. 2006 - 2017 Digital Photography School, All Rights Reserved / Disclaimer. Thanks for career aspiration essay+finance, subscribing! DPS NEWSLETTER Guaranteed for literature review on unemployment, 2 full months Pay by PayPal or Credit Card Instant Digital Download. Career Aspiration. DPS NEWSLETTER All our best articles for the week Fun photographic challenges Special offers and discounts.

DPS NEWSLETTER All our best articles for discrimination aboriginals, the week Fun photographic challenges Special offers and discounts Your email is safe with us. We won't share it with anyone. Ebook Guaranteed for 2 full months Pay by career PayPal or Credit Card Instant Digital Download. Ebook Guaranteed for in an, 2 full months Pay by career PayPal or Credit Card Instant Digital Download. Mind. Ebook Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download. Career. PHOTOGRAPHY COURSE Guaranteed for problem, 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and aspiration, reviews via our RSS Feed Sign up to the free.

PHOTOGRAPHY COURSE Guaranteed for body essay, 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to career aspiration, the free. PHOTOGRAPHY COURSE Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download.

Buy Essays Online from Successful Essay -
Business School Essay Samples - Essay Writing Center

Essay: Jazz, Gender and American Film. by Kristin McGee (2012) During the first decades of the twentieth century, new forms of mass media directly impacted the career aspiration essay+finance, cultural and racial landscape of America’s rapidly expanding cities. The emergence of a generalized mass culture depended upon the introduction of a number of technological developments supporting a nationally organized and interrelated network of literature media and entertainment including radio, film, recordings and career essay+finance, various forms of theater, most notably vaudeville and musical theater. Patronizing cultural events provided a potent forum within which American’s encountered each other in public spaces. Yet because metropolitan neighborhoods remained largely segregated, even after the great northern and western migrations, the panoply of races and body essay, ethnicities populating American cities were often separated within public entertainment venues. Career Aspiration! It was within the decadent but affordable vaudeville theaters and picture palaces of the 1910s and 1920s that Americans of a variety of ethnic backgrounds, male and female, first socialized and interacted in ways previously prohibited. While the convenience and uniformity of review on unemployment these media ensured Americans a nationalized popular culture industry intimately invested in the distribution of mass commodities, it was the heavily racialized subject material of radio, recordings and films that most appealed to career, an expanding middle class. Ideas of bank essay race, blackness and career aspiration essay+finance, popular music had been at university the center of aspiration popular culture since the 1850s and especially as articulated and performed by bank essay 2009 the nationally organized minstrelsy groups traveling throughout the territories and to the metropolitan centers of the United States.

Blackface performances sometimes adopted the career aspiration essay+finance, musical and in frankenstein, comedic styles of minstrelsy and were later incorporated into vaudeville and radio programs like the highly popular radio show Amos and Andy . Indeed articulations of race, gender and career essay+finance, sexuality, and especially when reconfigured from black expressive cultural forms, became one of the world competition 2009, most prevalent subjects for musical films upon the introduction of sound to film in the mid-1920s. Ironically, this fascination with blackness positioned within American mass cultural texts, simultaneously betrayed the exclusion of African Americans from prominent positions within the music and film industry. Career Essay+finance! Moreover, sensationalized cultural stereotypes favored by body essay the industry further disavowed their continued inequitable and career aspiration essay+finance, unjust treatment in American society. However, black actors, directors, producers and especially black musicians and dancers frequently contributed to sound films during the 1920s and 1930s despite the difficulties in obtaining these roles. Yet the more profitable roles performed by “star” white artists such as Ann Pennington frequently appropriated and borrowed black musical styles in their performances in vaudeville and film. 1920s examples include “coon” shouter and theatrical singer Sophie Tucker who honed her trade by imitating blues singers Bessie Smith and Ma Rainey, or blackface vaudevillian Al Jolson who frequently proclaimed his investment in black styles of singing and dancing. Indeed, the popularity of these media was heavily dependent upon world essay 2009 the contributions of career black, white and mixed-raced, -ethnic entrepreneurs, albeit in ways that perpetuated racial stereotypes and continued to exploit black creativity, resources and participation. The ability to literature review, simultaneously project images and sounds forever changed the narrative structures of film drama, as well as the narrative relationship of aspiration essay+finance music to film, which until the late 1920s was provided by live musicians in theater pit orchestras.

During the transition from silent film to sound film, many theater musicians feared that “canned” sound would ultimately replace live musicians. In 1928, one Variety story estimated that of 175,000 union musicians, over 75,000 drew salaries from the theaters alone. The same article speculated that in 150 U.S. towns with theaters recently wired for sound, over 50,000 musicians would be unemployed within the next two years. Ultimately, many lesser-known union bands did lose full-time theater engagements during the mind problem, 1920s and 1930s. Essay+finance! As professional classical musicians performed less frequently in film houses, popular musicians and jazz instrumentalists became more active, providing opening sets and variety style “stage acts” in combination with the new feature-length sound films. As talkies were first introduced in the late 1920s and early 1930s, film companies began rewiring movie house and leasing vaudeville theaters for showing privileges of feature-length films (Snyder 1989). The decline of vaudeville, not surprisingly, roughly corresponded with the addition of sound to films in of texas the late 1920s. In an career essay+finance effort to compete with the new sound films, most big time vaudeville houses reintroduced the film/vaudeville combinations, which predated the picture palace phenomena be several decades.

During the 1930s, however, only the larger movie palaces in cities like New York and university of texas, Los Angeles managed to continue financing the aspiration, elaborate live entertainment presentations that began in the 1910s and peaked during the 1920s. During the Jazz Age (1920s), in an attempt to in an harvard, profit from the growing public taste for big band music, many Hollywood productions recruited the most popular jazz bands to record soundtracks for their “talking,” “singing,” and “dancing” films (Stowe 1998: 94-140). As the plushest theaters and career aspiration essay+finance, cinema palaces were rewired with “talkie” sound equipment, they continued to aboriginals essay, accommodate live music performances of popular music. Thus these new “talking” films not only afforded more complex narrative and dialogue structures but also featured soundtracks of popular bands and essay+finance, cameo appearances by celebrated jazz personalities. One way to dissertations, promote popular jazz bands entailed recording arrangements for a film’s soundtrack and then contracting these same bands to provide opening and intermittent music sets to these films. Initially sound film was exploited more for its potential in career essay+finance the short subject market than in the feature film industry, in part because these films presented fewer risks financially and were better suited to all types of in an essay abbreviated theatrical genres from career essay+finance, music to comedy and dance. Thus, the initial creators of these short subject films explored a wide variety of material for essay their experimental works. Jazz, encompassing both popular song as well as cosmopolitan instrumental music, was ideally suited for sound film and could be cheaply produced by simply recording a song and then later filming the band pretending to play its own performance. Because popular music could be simultaneously marketed via recordings, radio and film, it was a natural progression that jazz and other forms of career aspiration essay+finance popular music became one of the first subject matters for these early sound films.

Filmed performances of popular music and jazz in world essay competition early sound film implied the growing prominence of a middle class consciousness dependent upon the shared experiences afforded by career aspiration mass culture. Filmed representations of jazz culture further positioned both normative and literature review, radical presentations of gender and sexuality as independent women entered the aspiration, public sphere with growing prominence from the 1920s on. Early sound film directors cultivated the visual aesthetics of film and particularly exploited female performers as well as presentations proffering the spectacle of race and sexuality. Four highly symbolic films: Al Jolson’s A Jazz Singer (1927), Bessie Smith’s St. Louis Blues (1929), Paul Whiteman’s King of Jazz (1930) and the Betty Boop cartoon series (1932-1939) uniquely mediated the modernist and utopian fantasies of assimilation and mass consumption while also formulating contemporary notions of femininity, masculinity and sexuality, each variously predicated upon the experiences of bank essay urban immigration and industrialization, the transformation of gender roles, and increased racial and cultural contact. Both Duke Ellington’s Black and Tan (1935) featuring a range of African American musical and dance stars including Freddie Washington and comedy duo Edgar Connor and Alex Lovejoy, and the Paramount Betty Boop episode “I’ll Be Glad When You’re Dead You Rascal You” (1932) with Louis Armstrong and his orchestra, similarly perpetuated stratified gendered subjectivities, as well as essentialist images of African Americans while also highlighting the sheer verve, creativity and ingenuity of aspiration African American jazz age musicians, dancers and literature on unemployment, singers. During the 1910s and 1920s, prominent producers of aspiration essay+finance girl acts constructed blackface numbers for their dancing women to link the increasingly mass produced and modern sexual spectacles of variety revues to the largely white, working-class and ‘autonomous’ male-culture of nineteenth century minstrelsy (Kibler). Further, the casting of similarly typed and largely nameless girls reinforced the patriarchy of modern vaudeville’s producers over their docile and feminized subjects (Latham), much in in frankenstein the same way that blackface caricatures objectified black artists as primitive, emotive and inherently rhythmic beings. As chorus dancers and theatrical stars, African American performing women similarly responded to emerging and aspiration, vital trends drawing from the synergy of music and who is the monster essay, dance. As black musical theater became an international sensation, black performing stars like Josephine Baker and Valaida Snow, negotiated both modernist fantasies which mapped colonial desires for hyper-sexualized female subjects onto black women’s bodies, yet these same women ingeniously constructed complex on and off-stage personas to profit from an expanding attraction for black expressive culture (Brown).

The reception of these early chorus girl acts, black, white and mixed, critically informed the ways that all-girl bands later exploited racialized musical and physical signifiers to career, gain popularity and recognition on the nationally organized vaudeville circuits. From the late 1920s on, women increasingly contributed to the expanding mass culture industry in a variety of media including film, theater and eventually radio and television. During the Jazz Age, the appearance of all-girl bands in against vaudeville and soundfilms significantly contributed to the popularity of new media such as film, which gained currency in part because of the widely successful and highly sexualized spectacles of career aspiration essay+finance ‘girl acts’ featured in vaudeville and variety revues. During the 1920s and of texas, 1930s, all-girl bands, more often than not, were promoted as the essay+finance, featured attraction of a picture house’s stage show. These vaudeville-style stage shows typically provided one to two hours of in an live entertainment before the showing of aspiration essay+finance feature-length films. Although rarely mentioned in world bank essay competition 2009 contemporary culture, jazz or film histories, there were dozens (if not hundreds) of extremely popular all-girl jazz bands, female singers, dancers and soloists active during the 1920s and 1930s including Ina Ray Hutton and Her Melodears, Hazel Scott, The Harlem Playgirls, The Dixie Sweethearts, Peggy Gilbert’s All-Girl Band and many more. Those all-girl bands satisfying the racist dictates of the entertainment market were embraced by big time promoters including Irving Mills, Florence Ziegfeld and William Morris to headline stage shows and variety revues.

When given the aspiration, chance, prodigious performing women, as instrumentalists, dancers and all-around entertainers enthusiastically contributed to some of these first experimental short subject sound films. For example, during the 1920s and against aboriginals essay, 30s, all-girl bands Ina Ray Hutton and her Melodears and the Ingenues appeared in Vitaphone, Pictoreels and Fox Movietone music shorts. The Jazz Age cultivated the careers of multi-versatile African American theatrical women, many who made names for themselves as blues, jazz and ragtime singers or dancers. Celebrated performers including Josephine Baker, Bessie Smith, Valaida Snow, Ethel Waters and Billie Holiday, however, suffered promotional representations, which exaggerated an overtly sexualized “otherness” and tacitly implicated one’s social position as constitutive of the emotive and creative performative voice. The image of the hyper-sexualized, African American theatrical woman (as blues singers, jezebels, the tragic mulatto, jungle dancers, etc.) had so saturated public discourse, that by the 1940s, African American women responded in a number of ways including supporting increased censorship of racial stereotypes in Hollywood films, to policing African American performing women’s bodies in public leisure spaces (Carby), to participating in civic projects promoting race pride and “racial uplift.”

While there were dozens of prominent touring African American “girl” bands including the Harlem Playgirls and the Dixie Sweethearts, the aspiration, International Sweethearts of Rhythm was the only predominantly black all-girl band to record short subject films during the 1940s. During the war independent black cast films and soundies including Harlem Jam Session (1946) were introduced to entertain and boost the literature, morale of career black war workers and military personnel. These black entrepreneurial films provided important opportunities for African American’s to who is the monster, denounce stereotypical roles promoted in career Hollywood films. Of Texas Dissertations! Through their film appearances and live performances, the career essay+finance, Sweethearts clearly mitigated prior gendered and racialized characterizations by adopting a number of performative strategies, including formulating a repertoire built upon mind body problem swing and blues in order to essay+finance, counter dominant white all-girl band aesthetics, which promoted feminized genres such as “sweet” and light classical. Public and in an harvard, popular support of mass-produced female sexual spectacles were later supported and reinforced during the 1940s by the massive success and appeal of wartime pin-ups and sexy female bandleaders like the former burlesque and strip-tease artist Ada Leonard (Tucker). Career Aspiration Essay+finance! Popular representations of bandleaders and jazz singers as morally suspect and dissertations, sexualized beings in feature-length Hollywood films such as Orchestra Wives (1942) and Ever Since Venus (1944) inspired and nourished such newly organized public, modern, and popular cultural performances.

The war effort also motivated contemporary myths regarding feminine musicianship by presenting female bands as wartime substitutes or collegiate groups (rather than professional touring musicians). When Johnny Comes Marching Home (1942) featuring Phil Spitalny’s All-Girl Orchestra is aspiration, representative. In the context of mass-mediated filmic representations, producers of popular culture demanded heavily streamlined representations of female sexuality in the service of public affirmations of male desire. These mass mediated gendered images did much to destabilize canonized jazz acts, such as the jam session, a site once dedicated almost exclusively to a masculinized conception of referencing in an essay musical artistry, practice and sociality. Jazz’s post-war fall-out signified the general hardships incurred by jazz musicians who maintained successful performance and recording careers during the career, 1930s and 1940s, but struggled during the mind body problem, more conservative McCarthy Era.

New domestic pastimes such as television watching, perpetuated old-fashioned strategies for career promoting gendered musicalities. Television’s multi-generational presentational format and single sponsorship advertisements ultimately facilitated the continued assimilation and aboriginals, increased homogeneity of American popular culture. In particular, the highly popular ‘vaudeo’ format from the career essay+finance, post-war years through the review, late 1950s provided a forum for reinventing theatrical and film material from vaudeville and variety (MacDonald). The newly televised variety revue genre reinforced the star system, albeit with preferences for mature Hollywood performers, whose televised images demanded informalized, domestic personas (Mann). These musical programs provided some of the only opportunities for female jazz women after the war. Aspiration! Indeed it was often those women including Hazel Scott, Lena Horne, Peggy Lee and Ina Ray Hutton, who had successfully navigated the changing landscape of world bank essay competition 2009 mass culture and of jazz and popular music before and during the war, who were frequently selected as guests or hosts of variety television programs during the late 1940s and 1950s. The resurgence of vaudeville and career aspiration essay+finance, variety formats and body essay, their penchant for mixing musical, generational and aspiration, gendered genres provided one strategy for television’s mass and largely middle class audiences.

These jazz women’s prior experience with other mass mediated forms including short subjects and feature-length films endowed them with a variety of of texas dissertations techniques for successfully navigating television’s expanding mass audiences. The brief resurgence of all-girl bands and female jazz hosts during the 1950s suggested similar processes at work as those during the early 1940s, where women performed as all-girl spectacles in a variety review contexts favoring feminine glamour, swing, and career essay+finance, “wholesome” vaudeville style acts. World Bank Essay Competition 2009! The short lived re-entry of aspiration all-girl bands into literature, the public sphere through the heavily-mediated and visually-attuned medium of television spoke to career aspiration, women’s continued peripheralization as visual objects and feminine spectacles over creative musical subjects. Yet their continued success also suggested the skill, ingenuity, and rugged expertise of these performers. In all of university of texas dissertations their mediated forms, jazz women of the 1920s through the 1950s both resisted masculinist and sexist ideologies yet also reinforced heavily gendered stratifications in the most dominate media.

They resisted masculinist and sexist ideologies by asserting personal and musical agency; acting as creative subjects through their particular improvised performances and increased public presence, and developing their musical professionalism during national and international tours. Further, their expanded wage earning capabilities entitled them to assert their professional personas against those of their male colleagues. Yet they also and aspiration essay+finance, necessarily promoted newly emerging and constrictive gendered ideologies from the pejorative “triple threat” female persona to widely circulated publicity campaigns depicting the “novelty of feminine uniformity”, residual Victorian representations evoking the “cult of white womanhood” or conversely, re-enacting the supposed “primitivist” sexual dispositions of urban blues women and jazz dancers. In a sense, black musical women became cultural referees, negotiating musical, racial, and gender boundaries to create a musical genre both prodigious and accessible within the dominant culture as well as the African American community. These women clearly recognized the values of the media industry, and in turn understood on bank essay, a deeper level, how their unique modes of performing and creating were frequently appropriated, misunderstood, misrepresented or ignored all together in favor of imagined stereotypes, which facilitated their exclusion from the more financially profitable mass mediated forums. In the essay+finance, climate of world essay competition a profoundly and consistently racist and segregated American culture, women re-enacted these highly popular and aspiration essay+finance, carefully constructed spectacles of femininity, sexuality and musical eroticism.

Clearly, jazz women of referencing in an essay these decades consciously and sometimes reluctantly cooperated with media producers, bandleaders and music managers to ensure that their performances remained financially and commercially profitable. Career Aspiration! These heavily mediated gendered performances also ensured that all-girl bands successfully competed with the literature review, popular male jazz bands of the day and more importantly with the career aspiration, highly fetishized “all-girl” spectacles presented in film, variety revues, and vaudeville. It is no coincidence that the theme of Some Liked it Hot adopts visual mediums as its point of on unemployment departure for examining women’s jazz. Indeed, the number of visual texts and especially films and televised variety programs featuring female jazz artists remains striking in contrast to the relatively few audio recordings produced of such groups and star performers. Career! By emphasizing mass mediums like film and eventually television, which provided a significant structure for reifying, refashioning, and transforming public enactments of gender, race, and sexuality staged through American popular music and literature review on unemployment, particularly jazz, one gains a broader picture of aspiration how women contributed to the expansion of mass culture and to a uniquely American form of cultural identification in these four important decades. Bogle, Donald. 1980. Brown Sugar: Eighty Years of America’s Black Female Superstars. New York: Da Capo Press . Bohlman, Philip V. and referencing harvard, Ronald Radano.

2000. “Introduction: Music and career aspiration essay+finance, Race, Their Past, Their Presence.” Music and The Racial Imagination . Chicago: University of Chicago Press, pp. Of Texas Dissertations! 1-53. Bradley, Edwin M. 2005. The First Hollywood Sound Shorts: 1926-1931. Jefferson, NC: McFarland Company, Inc.

Bratten, Lola. 2002. “Nothin’ Could Be Finah: The Dinah Shore Chevy Show.” Small Screen, Big Ideas: Television in career aspiration the 1950s, ed. The Monster Essay! Janet Thumim, pp. 88-104 . Brown, Jennifer Jayna. 2008. Aspiration! Babylon Girls: Black Women Performers and the Shaping of the Modern . Durham: Duke University Press. Carbine, Mary. 1990. “The Finest Outside the Loop: Motion Picture Exhibition in against aboriginals essay Chicago’s Black Metropolis, 1905-1928.” Camera Obscure 23: 8-41. Carby, Hazel. 1999. “The Sexual Politics of Women’s Blues” and “Policing the career, Black Woman’s Body in an Urban Context.” Cultures in who is essay Babylon: Black Britain and African America . London: Verso, pp. 7-39.

Cripps, Thomas. 1993. Making Movies Black: The Hollywood Message Movie from World War II To the Civil Rights Era . New York: Oxford University Press. Dahl, Linda. 1984. Stormy Weather: The Music and Lives of a Century of Jazzwomen . NY: Limelight. Erenberg, Lewis A. 1998. Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture . Chicago: The University of career aspiration essay+finance Chicago.

Fischer, Lucy. Review On Unemployment! 1981. “The Image of Woman as Image: The Optical Politics of career essay+finance Dames.” Genre: the Musical . Ed. Rick Altman. London: Routledge Kegan Paul, pp. 70-79. Gabbard, Krin, ed. 1995. Mind Body Problem Essay! Representing Jazz. Durham: Duke University Press.

Gabbard, Krin. 1996. Jammin’ at the Margins: Jazz and the American Cinema. Chicago: The University of aspiration Chicago Press. Glenn, Susan A. 2000. Female Spectacle: the Theatrical Roots of Modern Feminism. Cambridge, Mass: Harvard University Press.

Hall, Ben. 1961. The Best Remaining Seats: The Story of the Golden Age of the world competition 2009, Movie Palace. New York: Clarson N. Potter. Handy, D. Antoinette. Career Aspiration! 1981. Black Women in American Bands and Orchestras . Dissertations! Metuchen: The Scarecrow Press, Inc. Hansen, Miriam. 1991.

Babel and Babylon: Spectatorship in American Silent Film . Cambridge, Mass: Harvard University Press. Harrison, Daphne Duval. Career Aspiration! 1990. Black Pearls: Blues Queens of the 1920s . New Brunswick, New Jersey: Rutgers University Press. Hendershot, Heather. 1995. “Secretary, Homemaker, and ‘White’ Woman: Industrial Censorship and Betty Boop’s Shifting Design.” Journal of Design History , 8/2: 117-130.

hooks, bell. Literature Review On Unemployment! 1990. Yearning: Race, Gender and Cultural Politics . Career! Boston: South End Press. Hunter, Tera. 2000. “Sexual Pantomimes, the Blues Aesthetic, and Black Women in the New South.” Music and the Racial Imagination. Chicago: the University of Chicago Press, pp.145-166. Huyssen, Andreas. 1986. “Mass Culture as Woman: Modernism’s Other.” After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington, IN: Indiana University Press: 44–64.

Kenney, William H. 1986. “The Influence of Black Vaudeville on Early Jazz.” Black Perspectives in Music 14/3:233-248. Kibler, Alison. 1999. “The Corking Girls; White Women’s Racial Masquerades in Vaudeville.” Rank Women: Gender, Cultural Hierarchy in American Vaudeville. Chapel Hill: The University of North Carolina press, pp. 111-142.

Kitawaki, Michiyo. Literature On Unemployment! 2000. Career Essay+finance! Constructing Black Womanhood: Black Women in Northern Cities During the 1920s. Mind! Dissertation: State University of New York at Buffalo. Knight, Arthur. 1995. “ Jammin’ the Blues , or the Sight of Jazz, 1944” in Representing Jazz ed., Krin Gabbard. Durham: Duke University Press. Kofksy, Frank. 1998.

Black Music, White Business: Illuminating the History and Political Economy of Jazz. New York: Pathfinder. Latham, Angela J. Career Essay+finance! 2000. Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s. Hanover NH: New England Press. Lott, Eric. 1993. Love and Theft: Blackface Minstrelsy and literature review on unemployment, Working Class Culture. New York: Oxford University Press. Lugowski, David M. 1999. “Queering the New Deal: Lesbian and career, Gay Representation in the Depression Era Cultural Politics of Hollywood’s Production Code.” Cinema Journal 38/2: 3-35.

Margolick, David and Cassandra Wilson . 2000. Strange Fruit: Billie Holiday, Cafe Society, and an Early Cry for university of texas Civil Rights . Philadelphia: Running Press. MacDonald, J. Fred. 1994. One Nation Under Television: The Rise and Decline of career essay+finance Network TV . Chicago: Nelson Hall Publishers.

Meeker, David. 1977. Jazz in of texas dissertations the Movies: A Guide to career aspiration, Jazz Musicians 1917-1977. New York: Arlington House Publishers. Musser, Charles. 1984. “The Chaser Theory.” Studies in Visual Communication 10 Fall: 24-44. Negra, Diane. 2001. Off-White Hollywood: American Culture and review on unemployment, Ethnic Female Stardom. Career Essay+finance! London: Routledge. Ogren, Kathy.

1989. The Jazz Revolution: Twenties America The Meaning of Jazz . New York: Oxford University Press. Peretti, Burton. 1992. The Creation of Jazz: Music, Race and Culture in Urban America. Urbana, Ill: University of Illinois Press. Pieterse, Jan Nederveen. 1992. White on Black: Images of Africa and Blacks in Western Popular Culture . New Haven, Conn.: Yale University Press.

Placksin, Sally.1982. Jazzwomen, 1900 to the Present, Their Words, Lives and Music . London: Pluto Press. Radano, Ronald. 2000. “Hot Fantasies: American Modernists and the Ida of Black Rhythm.” Critical Inquiry 22/1: 506-544. Radano, Ronald. 2003.

Lying up a Nation: Race and Black Music . Chicago: University of Chicago Pres. Reed, Bill. University! 1998. “The Movies: Hazel Scott.” Hot From Harlem: Profiles in Classic African American Entertainment , LA: Cellar Door Press, pp. 110-128. Reed, Adolph L. 1997. W.E.B.

Du Bois and American Political Thought: Fabianism and The Color Line. New York: Oxford University Press. Reginald T. and career aspiration, Steven Weiland. 1993. Chicago Jazz: A Cultural History 1904-1930 . NY: Oxford University Press. Rhodes, Chip.

1998. Structures of the Jazz Age: Mass Culture, Progressive Education, and review, Racial Discourse in American Modernism . (The Haymarket Series). New York: Verso. Riis, Thomas L. 1989. Just Before Jazz: Black Musical Theater in New York, 1890 to 1915 . Washington D.C.: Smithsonian Institution Press. Roberts, Sherrie. 1993. Seeing Stars: Feminine Spectacle, Female Spectators, and World War II Hollywood Musicals . Chicago: The University of Chicago.

Roediger, David. 1991. The Wages of Whiteness: Race and the Making of the American Working Class . Career! New York: Verso. Rogin, Michael. 1996.

Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot . Berkeley: University of California Press. Schuller, Gunther. 1968. Early Jazz: Its Roots and Musical Development . Oxford: Oxford University Press. Slide, Anthony.

1994. The Encyclopedia of Vaudeville. Westport, Conn.: Greenwood Press. Snyder, Robert. 1989. The Voice of the City: Vaudeville and Popular Culture in New York . Oxford: Oxford University Press.

Stamp, Shelley. 2000. Movie Struck Girls: Women and Motion Picture Culture After the Nickelodeon. Princeton, NJ: Princeton University Press. Stanfield, Peter. Discrimination Aboriginals Essay! 2002. “An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and “St. Louis Blues,” 1929-1937.” Cinema Journal 41/2: 84-108. Stewart, Jacqueline Najuma.

2005. Migrating to the Movies: Cinema and Black Urban Modernity. Berkeley: University of California Press. Stowe, David W. Career! 1994. Swing Changes: Big Band Jazz in New Deal America . Cambridge, Mass.: Harvard University Press. Terenzio, Maurice, Scott MacGillivray and Ted Okuda. 1991. Mind Body! The Soundies Distributing Corporation of America: A History and Filmography . London: McFarland Company, Inc. Tucker, Mark. 1993. The Duke Ellington Reader.

Oxford: Oxford University Press. Tucker, Sherrie. 2000. Swing Shift: All-Girl Bands of the aspiration, 1940s . Durham: Duke University Press. Valentine, Maggie. 1994. The Show Starts on the Sidewalk: An Architectural History of the discrimination aboriginals, Movie Theater, Starring S. Career Aspiration! Charles Lee. New Haven: Yale University Press.

Wang, Richard. 1973. “Jazz Circa 1945: A Confluence of Styles.” Musical Quarterly 59/4: 531-46. Waters, Ethel. (1950) 1989. Bank Competition! His Eye is on the Sparrow: An Autobiography by essay+finance Ethel Waters . Da Capo Press: Cambridge, Mass. Welburn, Ron.

1989. “The American Jazz–Writer–Critic of the 1930s: a profile.” Jazzforschung 21: 83–94. Westbrook, Robert. 1990. “I Want a Girl, Just Like the Girl that Married Harry James’: American Women and the Problem of Political Obligation in World War II.” American Quarterly 42/4: 587-614. Whiteley, Sheila (ed.). 1997. Sexing the Groove: Popular Music and Gender . London: Routledge.

Williams, Alan.1981. “The Musical Film and Recorded Popular Music” Genre: the literature on unemployment, Musical . Ed. Rick Altman. Essay+finance! London: Routledge Kegan Paul, pp. 147-158. Williams, Linda.

2001. “Posing as Black, Passing as White.” Playing the Race Card: Melodramas of Black and White From Uncle Tom to O.J. Simpson. Williams, Mary Lou. 1977. Liner Notes to Jazz Women: A Feminist Retrospective . New York: Stash Records. Yanv, Scott. 1987. “Rosetta Records: Women in Jazz.” Coda Magazine Feb/March: 10-11. “Musical Union Strong in but 150 U.S. Towns Where Minimum Enforceable—50,000 Out of Work” in discrimination against aboriginals Variety (22 August 1928: 24).

Some Liked It Hot - Jazz Women in Film and Television, 1928-1959.